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The half​-​face man

from MAMMA SHARK by DÁCIL

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lyrics

THE HALF-FACE MAN

He's the man with half a face
I feel dazed, I can't control my fears
He's the man with half an eye,
I feel tired, I can't control my tears

He's the man with a half a heart
You know he's trying to catch
the best part of your soul

He's the king of your desire
Shooted to kill
I cannot move my feet

He's the man from outer space
the alien you dreamed
you'd fell in love with

He's the lord of golden cages
you're a little bird
he's coming up from hell

Directly from the dark side (x3)

He's the man with half an ear
a scary lullaby to lovely little girls
He's the man with half a hand
sneaks in your bed
you're gonna live a nightmare

He's the lord of golden cages
you're a little bird
he's coming up from hell

Directly from the dark side (x4)
From the dark side

He's the lord of golden cages
you're a little bird
he's coming up from hell

He's the lord of golden cages
you're a little bird
he's coming up from hell

The new vampyre directly from the dark side
He's gonna hurt you and you're gonna see his dark mind

The new vampyre directly from the dark side
He's gonna kill you and you're gonna have a bad time

Directly from the dark side (x2)
From the dark side
Directly from the dark side (x2)

Directly from the dark side (x2)
From the dark side
Directly from the dark side
From the dark side

credits

from MAMMA SHARK, track released September 17, 2017
Dácil: singer/songwriter, Dani Comas: guitar, Pasto Martí: bass, Ramon Prats: drums. Marc Parrot: producer, Juno 60 and background vocals, Joel Condal: sound engineer. Recorded, mixed and mastered at Grabaciones Silvestres, Barcelona, in October 2016 and March 2017. Photo by Marta Artica. Styling and make up by Futique.

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DÁCIL Barcelona, Spain

www.dacil.net

www.facebook.com/dacilmusic

Last album:
Mamma Shark:
Produced by Marc Parrot.
All songs written by Dácil.
Guitars: Dani Comas.
Bass: Pasto Martí. Drums: Ramon Prats.
Sound engineer: Joel Condal.
Recorded at Grabaciones Silvestres, BCN. 2016/2017.
... more

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